ARC

A little bit of everything

Month: August, 2007

The Point of No Return

The sudden throb of a passing truck woke him up. He opened his eyes and stared at the ceiling. It was a strange dream. His dreams would often dissolve into nothingness upon waking but this was one of those rare ones which still lingered in his eyes. In the dream he had been on the roof of an old building. All he could see in front of him was a line of white sheets hung out to dry on a rope. He penetrated the first line only to find another line of similar white sheets hung to dry. Layer after layer he went in to find more of the same. Soon he was lost in a sea of soft translucent white. He did not know right from left or front from back. For a moment he had the feeling that he was in a womb of white light. It was comfortable in a strange way but underneath that feeling of comfort there was a sense of panic that was waiting to be released. It was at that moment that he had awakened.

Shruti stirred beside him and mumbled something in her sleep. He turned to look at her. She was lying on her stomach. Her right hand was splayed across his chest and gripped his trunk, as if holding onto him while buffeted by a fierce wind. Her hair tried to walk across his face when moved by the thin breeze from the fan. She looked peaceful and loved in her sleep as she always did. She never remembered her dreams either. Even now she could not help hugging him in her sleep. It was one of his little secrets as he always woke up before her.

He disengaged himself gently from her half embrace, taking care not to wake her up, got up and sat on the edge of the bed. He picked up his watch from the sideboard by his bed. The hands read 6:30. His day normally started at 8. He was too keyed up to go back to sleep. Dawn was just beginning to break. The room was bathed in dim light from the window by the side of the bed. He got off the bed and looked around the room. It was sparsely furnished. A frugal existence on a scholarship did not offer much opportunity to lead a luxurious lifestyle. Almost all the furniture had been bought second hand. Therefore, the room had this mismatched look to it that came from putting together furniture of differing styles and make. But it looked comfortable and cozy. Two qualities the room owed to the care and diligence of Shruti. She had worked wonders with the limited resources they had.

The Stench of Death

What use is love for those whose hands stink of death?
What meaning does humanity hold for
those laughing through tears?

Where were the answers printed in gold?
Where were the guardians of hope on a day
when blood splattered faces spoke of a
madness that came home to roost?

We will shed two tears, perhaps burn a candle or three.
But who will wash the crimson smears off our common spaces?
Who will awaken our sleeping senses?

Stainless steel plates and plain blue chairs try
to shield a private sadness from prying public eyes.
Are you watching? Go ahead, step over crumpled
bodies, skewered limbs and satisfy your blood lust.

An eye for an eye you want in the vain hope that
you can sleep better then and dream of a world
where only the righteous punish the sinners.

These rivers of dark blood smear our foreheads
and drip from hands clenched in fury.
But who will spare a thought for those whose
stories stopped with a phone call?

Pourquoi Paris?

I.

Steve McCurry’s photographs were a like a balm to my tired and bored eyes. The intense and saturated portraits of mainly South Asian faces formed a wonderful contrast to the grey and gloomy Parisian streets outside the gallery. He has this amazing ability to capture the wondrous beauty of the eyes of the people in his portraits. Bright blue eyes big enough to fit the world, intense green eyes that arrest you in mid stride and deep dark eyes that you can disappear into on a journey into their souls. There were perhaps twenty portraits there but ah what a pleasure it was to stare at each one of them to my heart’s content! From the very famous ‘Afghan Girl’ to the lesser known but equally captivating photo of a flower seller on the way to the market in a boat on the weed covered waters of Dal Lake, I stared transfixed at slices of human emotion hung up in front of my eyes.

I was therefore grateful that I saw the price list before I embarrassed myself by going ahead with my original intention to enquire about buying one of the prints. The ‘cheapest’ price for a print on sale was 4000 Euros! With a sigh and a last wistful glance around I wandered back out into the now raining streets of the art gallery neighborhood of Paris.

II.

I was lost among graves of people unknown to me. The cemetery was divided into divisions but without a map I was hopelessly lost. I could have asked someone. But even those with maps seemed lost. More than that though, I wanted to find his grave on my own. Call it my own little musical pilgrimage if you are being generous or a foolishly romantic notion if you are just being charitable. So I walked on past grand graves over which angels in stone kept watch, past graves neglected and now conquered by kingdoms of moss, past newer graves that were adorned with small photographs of the dead, past graves that were enclosed within small Gothic chambers that seemed to be designed to keep the dead away from the reach of the living.

Heartbreaker

By the side of a fallen branch I found my little heart,
covered by a coat of newly fallen leaves. So surprised
was I that for a second I forgot to breathe. But when he
started to labor in his patient beating I knew I was wrong
in holding my breath. So I let the summer air into my
lungs and offered him some succor.

I asked him, “My dear heart, what are you doing under
these leaves in these woods? Why are you not behind my
heaving ribs?”

He glowed as red as a virgin’s cheek. Was it the shame of
suffering or the anger of abandonment?

But he replied in the voice of a strutting Jagger, “I’ve divested
myself from you. You heartbreaker! Always, you punished me
for your inadequacies. Every time you stared at a woman, it
was I who suffered. It was I who burnt words onto your stubbornly
silent tongue. It was I who was filled with feelings most profound.
But you, with your asymmetrical ass and crooked jaw, you never
noticed the difference between rhythm and beat. You never ever
grasped the yawning gap between lust and love.”

I hung my head with shame upon hearing words so true and precise
but could not help asking, “But dear heart, how will I live without
you? Nay, how will I ever love without you?”

Upon hearing my words filled with a sadness most real my heart stopped for
a moment, formed a council with the leaves and pondered for a minute. They
twittered. They murmured. They even burped. And finally my heart squealed
with joy and offered this unique compromise, “ Fall in love within a month with
a woman who wears red and has CC cups; I’ll return to your chest
forever.”

So here I’m, dear ladies, in search of my very own woman in red with CC cup
size. If you know someone with such dimensions will you ask her to get in
touch with my hopeless heart and save me from a lifetime of heartless love?

The Great Connection

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Prodigy – Smack My Bitch Up

I.

It was Smack My Bitch Up that was playing as I read a particular section towards the beginning of Bank’s Excession where a drone, if I remember correctly, has to escape from a spaceship that is being taken over. And in one of those inexplicable coincidences the music and the action in the book fit each other perfectly. I could imagine a scene of the same on film with the music on the background and the drone running to escape out of the ship. There was a thrill of adrenaline as the music pumped the page into a 6 minute scene of pulse pounding action. And when the song entered the slow meditative section in the middle the action also entered a seemingly slow motion stage on the page where the drone glides through the air. Spielberg couldn’t have done it better on film. Incredible!

II.

Greece was sunny and bright, the very opposite of Auster’s grey and moody New York in City of Glass. As I ran from one end of Greece to another I seemed to mirror Quinn’s random wanderings through the dark side of New York. It was a wonderful contrast to look out of the window of the ferry and lose myself in the endless blue of the Aegean and a moment later lose myself in a world of a different sort between those pages, a world where wrong numbers led to postmodern detective adventures. And on the plane back as Quinn descended into a spiral of pointless obsession I felt the darkness outside the thick window reach in and for a second grip my heart.

III.

The wild rain and wind made me stay indoors in a bunk bed in a hostel near the Princess Street Gardens in the heart of old Edinburgh. There, Safran-Foer held my interest with his young protagonist dealing with post 9/11 trauma and his mute grandfather, witness to the Dresden firebombing. Reliving the firebombing lying on a hostel bed does not seem, at first glance, the most profound or sensitive thing to do. But what did surroundings matter when body and soul you are beside the narrator experiencing the endless horror. The shriek of the wind outside the window became the cries of people burnt and mutilated. As he ran through the smoking ruins of a glorious city, crazed and horrified, the rain outside seemed to fall in tandem to his running footsteps. The strength and precocity of the young boy instilled hope in a dark world taken over by low grey clouds and muted light.